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Dance Like An Egyptian Vol.4

Instructional DVD Volume.4 2015

This DVD is Co-responding with Mohamed Shahin’s CD titled AHLAM

Dance Like Egyptian Volume 4 offers 3 different choreographies.
1- Spicy Accordion Baladi – Technique & Choreography.
2- Modern Egyptian Oriental – Technique & Choreography
3- Cairo Style Shaabi – Technique & Choreography

$43.00

Instructional DVD Volume.4 2015

This DVD is Co-responding with Mohamed Shahin’s CD titled AHLAM

Dance Like Egyptian Volume 4 offers 3 different choreographies.
1- Spicy Accordion Baladi – Technique & Choreography.
2- Modern Egyptian Oriental – Technique & Choreography
3- Cairo Style Shaabi – Technique & Choreography

Spicy Accordion Baladi

Baladi is a dance style from old Cairo. In a general context, the word Baladi means native, indigenous, or of the country, and is used to refer to the people that live in the lower society of Cairo, who often throw parties and weddings on the street. It is from baladi style dance that the modern, urban style of sha’abi has evolved.

When used in a musical context, the term Baladi refers to a structured form of musical improvisation, most often featuring a Tabla & accordionist, saxophone, or nay. It is sometimes referred to as a “baladi taqsim” or a “Baladi progression.”

“Banat Baladi,” – the song that Mohamed Shahin will be using from his CD “AHLAM” will start with a solo (Taqsim) by the primary accordion. Following this there is a call and response between the accordion and the drum, flowing into a slow rhythmic section. Additional call and response sections and quicker rhythmic sections will follow.

This baladi choreography has a heavy feeling; with the dancer appearing relaxed and strongly connected to the ground. Mohamed will break down the choreography, teaching the technique behind each section and focusing on use of hip movements.


Modern Egyptian Oriental

Oriental Music in general has many musical rhythms and changes inside. This specific piece is perfect for recognizing changes and different rhythms, which are incorporated in most standard oriental melodies.

“Amara” – the music that Mohamed Shahin will be using from his CD “AHLAM” features a variety of rhythms including Masmoudi Kabeer, Saidi, Maqsoum, Rumba and Malfouf, which makes it an ideal tool for learning to work with rhythms within Oriental dance.

In this video Mohamed is teaching an Oriental choreography (Raqs Sharqi) combining both traditional and modern movements. He will break down classical combinations and Egyptian technique while also sharing ideas for creative improvisation.


Cairo Style Shaabi

Sha’abi: is a name of neighborhood, a style of living, a style of dance, and a style of music. The word is Egyptian Arabic Shaabi and refers to the poorer, more common sections of the city. An English equivalent might be “ghetto.” The name came to characterize the style of music enjoyed in such neighbourhoods. And it is quickly becoming very popular for almost all young Egyptians, and the Egyptian society. The style is somewhat rougher and more playful than the rest of Egyptian pop music. Naturally, the style of dance acquired the name “Sha’abi”.

With its witty lyrics, playful moves and cultural gestures, Egyptian Shaabi music and dance is rapidly gaining popularity amongst belly dancers across the globe.

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Refund and cancelation policy:

Refund and cancelation policy:

Refund requests placed on or before August 1st will receive a full refund, 5% less for credit card and or processing fees.
Refund requests placed on or before October 1st will receive 50% of all monies paid.
No refund after October 1st, 2021.
In case of medical or other emergencies, Participants can transfer their admission to another dancer, however, DLAE management must handle this process in order for it to be valid. Contact us: [email protected]

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Dance Like An Egyptian Intensive Week, is not responsible for injury; sickness; lost or stolen items; missed flights; objectionable or obscene behaviour by locals, other members of the intensive week; death and other acts of God.

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Any delay or failure in the performance by DLAE management hereunder shall be excused if and to the extent caused by the occurrence of a Force Majeure. For purposes of this Agreement, Force Majeure shall mean a cause or event that is not reasonably foreseeable or otherwise caused by or under the control of the Party claiming Force Majeure, including but not limited to; acts of God, fires, floods, explosions, riots, wars, hurricane, sabotage terrorism, vandalism. accident, restraint of government, governmental acts, injunctions, labor strikes, obtaining visas for Master Instructors or sickness of said instructors other than those, and other like events that are beyond the reasonable anticipation and control of the Party affected thereby, despite such Party’s reasonable efforts to prevent, avoid, delay, or mitigate the effect of such acts, events or occurrences, and which events or the effects thereof are not attributable to a Party’s failure to perform its obligations under this Agreement.